Infinity: Archival Digital Work Outtakes, Sketches

Star Hates The World. 12 January, 2019.

Star hates the world

It’s all too dumb

It’s hard for her to get along

Without offending anyone

Star hates the world

But she loves you

So it’s two against the world

Guess those odds will have to do

The Girl With The Broken Life. 3 January, 2019.

Infinity: Below Is A Presentation Of Predominately Early, Archival Digital Works. Some Are Minimal. Others Lavish.

Mercury. 17 September, 2016.

Vampira. 2014. Courtesy Vampira's Attic.

The Unexpected Guest. 16 January - 1 February, 2019.

The Sky Witch. 9 December, 2019.

Snowflake And Me. 1 February, 2019.

The Bridge. 2015.

Infinity Adorned. 2014.

The Red Minnows. 6 January, 2019.

There Are Minnows

In The Sea

Living A Watered Life

Apart From Me

And If They’ve Troubles

So Do I

But We Don’t Talk

So I’ll Never Know Why

Star of Bethlehem, 2014.

The Demise of Red, Yellow and Blue. 2014.

Like Fishes can Swim. 2014.

Brilliant Trees. 2014.

Carney. 2014.

The Orient. 2014.

The Deep Sea. 6 January, 2019.

The Sand Dollar.

I’m Moving

Getting Around

Beach To Beach

Town To Town

Grew Myself Legs

Got To Be Free

I’m On The Go

Looking For Me

Loving The Alien. 2014.

Starz. 2014.

The Three Graces Are Smokin’ Tonite. 10 December, 2018.

I Didn’t Have Enough

For The Picture Show

So I Headed Down

To Cafe Hi-Ho

And This Lad

With Pockets Light

Not Expecting Much

Gained New Lease On Life

The Three Graces

Set Fire Alite

The Three Graces

Were Smokin’ That Night

Yesterday’s Playground. 19 January, 2019.

The Tarantula’s (Lovingly Tended) Garden. 18 December, 2018.

The Medium Sized Fiend. 11 December, 2018.

I’m Not Too Bad

I Could Be Worse

Won’t Eat Your Brains

I Might Steal Your Purse

But Without Me

What Would You Do?

I’m The Dark Day

Makes Good Skies Blue

Dog In The City. 8 January, 2019.

I’m A Dog In The City

It’s My Home

I’ve Seen A lot Of Misery

On The Streets Below

The People Are So Sad

Guess They Deserve What They Get

But I Still Watch Over Them

They’re My Responsibility; My Pets

Amarathine (Upon Butterflies). 2018.

The Spotter. 4 February, 2019.

The Wandering Soul. 4 February, 2019.

The Disco Ghost. 4 February, 2019.

She crossed Elysian’s field

For the dance

To give the boys

One last chance

To lure home

That smitten soul

To a hell

Pre-to-for unknown

But she didn’t tell

Amidst the glow

She’d sold her soul

To rock-’n’-roll

Alice’s Wonderland. 2 February, 2019.

Alice has a wonderland

Which is very grand

And she’ll keep its secret to the grave

No one knows but Alice that she has it made

The Ghost Mime. 5 February, 2019.

Did She Not Understand

Didn’t She Comprehend?

Now It Was Not

Just Pretend

She’d Crossed Over To

The Other Side

The Wall This Time

Was Bona Fide

The Jilted Playboy. 6 March, 2019.

Thank God For Friends

And Kit-Cat

His Faith In The Lord

And All That

But There’ll Be Others Days

To Carouse

So He’ll Lick His Wounds

And Reflect For Now

Anthracia (Anthrakia) Goddess Of The Burning Torch. 19 - 20 September, 2016.

The Kamikaze. 2015.

The Forest Nymph From A Fairy Tale. 19 February, 2016.

Covenant. 2014.

Page Nine Of Seventeen.

Representational

Representational.

Pictures Which 'Look Like' Or Resemble Reality.

Representational. Abstract. Nonrepresentational.

Between Representational And Nonrepresentational Art Lies That Which Is Abstract. This Is Not The Popular Definition. Abstract And Nonrepresentational Are Habitually Considered To Be Synonymous. Nevertheless Some Believe Abstract Art To Be Just That: An Abstraction Of Reality Based Firmly On That Which Is... Representational.

Can A Drawing Of Something That Doesn't Exist Be Representational?

The Nun Who Cast The Devil’s Shadow. 3 March, 2019.

Dietrich: Success. 1983. Pastel On Paper. 28.75 X 23”.

Dietrich: Sorrow. 1983. Pastel On Paper. 28.75 X 23”.

(My) Black-Velvet-Elvis. 2 - 4 March, 2019.

The Crow Coloring Book. 5 February, 2019.

You Can Make Them

Red Or Green

Or Leave Them Plain

If That’s Your Thing

But Try To Stay

Within The Lines

Even If It Takes

A Bit More Time

The Vampyre’s Lair. 1990. Eye Shadow On Silver Mirror. 36 X 80”.

Church And Science. 2004. Eye Shadow On Silver Mirror. 85 X 43”.

Under The God. 1994, Eye Shadow On Silver Mirror With Proscenium And Chair. 157 X 112 X 47”.

The Queen Of The Damned. 1990. Eye Shadow On Silver Mirror With Dead Foliage, Vase. 80 X 36”.

Alien Being With Monarch Brain-Orb. 10 February, 2019.

Leash (What's Up Doc?). 1985. Conte On D'Arches Paper. 30 x 22.5.

Enlightened. 1985. Conte On D'Arches Paper. 30 x 22.5".

Compassion. 1985. Conte On D'Arches Paper. 30 x 22.5".

The Nun. 1985. Conte On D’Arches Paper. 30 X 22.5”.

Henry In Lollipop Land. 7 February, 2019. Digital Rendering, Alteration, Enhancement Of Illustration From Carl Anderson's Children's Book Of 1953 Entitled The Same.

A Blade of Grass. 2014. Digital rendering.

The Vision (Pavan For A Dead Princess). 1985. Conte On D’Arches Paper. 35 X 50”.

Schizophrenia. 1984. Conte On D'Arches Paper. 35 x 50".

The Prodigal Daughter. 1985. Conte On D'Arches Paper. 35 x 50".

Seduction. 1985. Conte On D'Arches Paper. 35 x 50".

Marc Bolan, Friends. 1984. Conte On D'Arches Paper. 35 x 50".

Thirteen. 2014 - 23 February, 2019. Digital rendering.

13 Of This

A Few Of Dat

26 Birds And Mices

Maybe A Bat

I’d Chomp ‘Em Up

Swallow ‘Em Down

Dey Make Me Healthy

My Fur’s Like Down

A Wish. 2014.

Dietrich: Success/Sorrow. Original: 1985. Pastel on paper. 29 x 46". Digitally Gilded 23 February, 2019.

Snow White (Swimmingly). 1988. Oil On Plaster Upon Birch. 11.25 x 8.75".

Hnorah (Detail). 1985. Conte On D’Arches Paper. Area Of Detail: 22.5 X 21”.

Hnorah. 1085. Conte On D’Arches Paper. 71 X 34.5”.

Deathray. 1985. Conte on d'Arches paper. 35 x 50".

You’re My Deathray

You Kill The Bad

You Make Me Happy

Take Away The Sad

And If You Left

I’d Know Real Soon

It’d Be Like The Earth

Lost The Moon

Page Eleven Of Seventeen.

Paintings

Volta Verde. 2013. Acrylic, Lacquer, Varnish, Iridescent Powder On Silver Mirror. 78.5 x 36”.

Grenada (In Black Light). 1983. Acrylic On Distressed Canvas. 52 x 32”.

6-5-6 (Six-Five-Six). 2009. Piano Lacquer On Birch. 80 x 84".

Ship Of Dreams. 1981. Acrylic, Oil, Lacquer On Bronze And Silver Mirror. 106” On Diagonal.

Under the God. 1994. Eye Shadow On Silver Mirror With Proscenium And Chair. 157 x 112 x 47".

The Vampyre’s Lair. 1990. Eye Shadow On Silver Mirror. 80 X 36”.

Church And Science. 2004. Eye Shadow On Silver Mirror. 85 X 43”.

The Queen Of The Damned. 1990. Eye Shadow On Silver Mirror With Dead Foliage, Vase. 80 X 36”.

The Mortician’s Daughter. 2011. Piano Lacquer, Dye On Birch. 80 X 84”.

Wuthering Heights/Nicholas and Alexandra. 2013. Acrylic. Lacquer, Varnish, Iridescent Powder On Silver Mirror. 80 x 60".

Wuthering Heights Is The First And Only Published Novel By Emily Bronte. She Died The Following Year At Age 30.

Half Spock (Early version). 2009. Piano Lacquer, Plastic Film, Glitter And Aluminum On Birch. 90 x 67.5 x 4".

Documenting Man's Evolution Through Mind And Materials: Metal Superseded Wood: Plastic Superseded Metal. From String To String Theory; However Far We Progress We're Never More Than Halfway There. In The Paintings Final Iteration The Vulcan Vee Is Prominent. One Of Spock's Pointed Ears Is Suggested By The Appendage On The Paintings Upper Left.

Iced Arabia (Summer-Lit). 1982. Lacquer On Silver Mirror. 75 X 25”.

Iced Arabia (Winter-Lit). 1982. Lacquer On Silver Mirror. 75 X 25”.

Dorothy’s Acid Oz aka Dorothy’s Road To Oz. 1982. Lacquer on silver mirror. 75 x 25”.

Ascension. 1982. Lacquer On Silver Mirror. 75 x 25".

Pretty Poison. 1982. Lacquer On Silver Mirror. 75 x 25".

This Painting Was Featured In Jonathan's 1982 Exhibit Entitled The Russian At The (Late) Westbroadway Gallery, 431 West Broadway In Manhattan's Soho District. It's Red, It's Fluorescent: It's Always Been A Favorite.

The Raven. 1982. Acrylic On Silver Mirror. 75 x 25".

Edgar Allen Poe's The Raven (1845) Depicts A Man's Descent Into Madness Facilitated By The Bird's Constant Repetition Of The Word 'Nevermore'.

Halloween Jack at the Cow Palace (Daly City, February 6, 1976). 1982. Lacquer on silver mirror. 75 x 25".

The Triumphant Return Of A Misunderstood Artist. Elvis Presley, Also Born On January 8, Would Subsequently Perform There In November. He Would Be Dead Less Than A Year Later.

Halloween Jack.

Maila Nurmi, The Finnish-American Actress Who Portrayed Vampira As TV's First Horror Host. She Also Appeared In The Ed Wood Cult Film Classic Plan 9 From Outer Space.

Memphis to San Francisco Via Nashville. 1982. Lacquer On Silver Mirror. 75 x 25".

Elvis Presley, Who Began His Career In Memphis, Played His Final Concert At The Cow Palace Just Outside Of San Francisco. In Between He Had A More Powerful And Lasting Impact On Country Music Than Preeminent Country Stars Such As Hank Williams And Jimmie Rodgers.

Elvis Presley with Maila NurmI. Las Vegas Circa 1956.

Cuba. 1983. Acrylic And Tape On Distressed Canvas. 52 x 72".

‘He Looked A Lot Like Che Guevara, Drove A Diesel Van’. David Bowie: Panic In Detroit. 1973. From The Album Entitled Alassin Sane.

Trinity. 1976. Acrylic On Canvas. 112 x 47".

The Second Painting Produced In Jonathan's Studio.

Violet Over Red . 1975. Watercolor, Acrylic And Dye On Silk. 25 x 40".

Brown Over Gold. 1975. Watercolor, Acrylic And Dye On Silk. 25 X 40”.

Blue Violet Over Violet. 1975. Watercolor, Acrylic And Dye On Silk. 25 X 40”.

Violet Over Red Violet. 1975. Watercolor, Acrylic And Dye On Silk. 25 X 40”.

Half Spock. 2009. Piano Lacquer, Plastic Film, Glitter, Aluminum On Birch. 90 x 67.5 x 4”.

The Final Incarnation Of This Signature Work From 2009.

My Ghost Beau. 2009. Acrylic, Dye, Eye Shadow, Aluminum On Birch With Satin Bow, Nylon ‘Ghost’ And Tassels 79.5 x 72". With Plinth: 89 x 82 x 15.75".

Navajo Christmas. 2011. Lacquer On Birch. 80 x 36" (Sans Antler).

Japanese Eyes. 1988. Encaustic, Oil Stick, Letraset On Canvas. 47 x 42 x 3.5 - 1.25".

Japan. 1979 - 2011. Alkyd On Birch. 75 x 75".

Ophelia (A Corpse In The Well). 2013. Lacquer On Birch. 80 x 84".

Valentine's Day. 2013. Piano Lacquer And Acrylic On Birch. 80 x 56".

Inspired By The Song Of The Same Title From David Bowie's Album The Next Day. ‘The Rhythm Of The Crowd. Teddy And Judy Down. He's Got Something To Say: It's Valentine's Day’.

Treasure In The Cat's Den. 2013. Piano Lacquer And Acrylic On Birch. 80 x 56".

One Who Entered The Tiger's Cage, Took The Gold, And Lived To Tell.

Ghosts and Divinity. 2013. Piano Lacquer And Acrylic On Birch. 80 x 56".

Rosso Corsa. 1976. Acrylic On Canvas. 68.5 x 72".

A Lone Star In An Infinite Universe.

Cathedral. 2009. Piano Lacquer, Acrylic, And Dye On Birch. 80 x 108".

Bouquet for an Apparition. 2011. Acrylic, Alkyd And Dye On Birch. 67 x 83".

Looking For Water. 2009. Piano Lacquer And Varnish On Birch. 80 X 158”.

Tangerine. 1979. Alkyd On Birch. 75 x 25”.

Lotus. 1980. Lacquer On Glass. 31 X 84 X 2.25”.

Winter (Sparrow). 2014. Lacquer On Canvas. 72 X 64 X 3”.

Autumn (The Darkness). 2014. Lacquer On Canvas. 96 X 57.5 X 3”.

Spring (Begins). 2014. Lacquer On Canvas. 68 X 60 X 3”.

Elysian Fields. 2013. Piano Lacquer And Acrylic On Birch. 80 x 54" (Installation View).

Page Thirteen Of Seventeen.

Paintings On Paper

Paintings on paper. Installation view: The Morrison Gallery. 2013.

Paintings on paper.

In preparing for the 2013 exhibit at the Morrison Gallery Jonathan located these works on paper from 1979.

After restricting his pallet to steel grays and white on white from 1976-'78 these herald a return to brilliant color yet seemingly acknowledge their immediate predecessors starkness: The subject matter often suggests winter's minimalistic beauty and a number of the titles reflect that. So many of the effects tried during the creation of these paintings have since become part of his lexicon.

Le Peintre En Papier

Winter.

1979. Acrylic On D'Arches Paper. 30 x 22.5".

Winter. 2014 - 25 February 2019. Digital rendering. Winter (Mick Jagger, Keith Richards).

And it's sure been a cold, cold winter

And the wind ain't been blowin' from the south

It's sure been a cold, cold winter

And a lotta love is all burnt out

It sure been a hard, hard winter

My feet been draggin' 'cross the ground

And I hope it's gonna be a long, hot summer

And the light of love will be burnin' bright

And I wish I been out in California

When the lights on all the Christmas trees went out

But I been burnin' my bell, book and candle

And the restoration plays have all gone 'round

It sure been a cold, cold winter

My feet been draggin' 'cross the ground

And the fields has all been brown and fallow

And the springtime take a long way around

Yeah, and I wish I been out in Stone Canyon

When the lights on all the Christmas trees went out

But I been burnin' my bell, book and candle

And the restoration plays have all gone 'round

It's sure been a cold, cold winter

And a lotta love is all burnt out

It's sure been a hard, hard winter

And my feet been draggin' 'cross the ground

Fin: From the album Goat's Head Soup.

Samantha.

1979. Acrylic On D'Arches Paper. 30 x 22.5".

Candy Corn And Pumpkin.

1979. Acrylic On D'Arches paper. 30 x 22.5".

Winter-Pine.

1979. Acrylic On D'Arches Paper. 30 x 22.5".

Angee (Snowfall Among Redwoods).

1979. Acrylic On D'Arches Paper. 30 x 22.5".

Some Pale Tomorrow.

1979. Acrylic And Watercolor On D'Arches Paper. 30 x 22.5".

Aqualynx.

1979. Acrylic On D'Arches Paper. 30 x 22.5".

Sara.

Acrylic On D'Arches Paper. 30 x 22.5".

Rika.

1979. Acrylic And Watercolor On D' Arches Paper. 30 x 22.5".

Coloring Winter.

1979. Acrylic On D'Arches Paper. 30 x 22.5".

Josie.

1979. Acrylic, Dye, Varnish And Glitter On D'Arches Paper, 30 x 22.5".

Nicholas And Alexandra’s Engagement Photo 1894

Nicholas (From The Diptych Nicholas And Alexandra).

1983. Gunfire Through D'Arches Cold Press Paper, Powder Burn, Lipstick, Pastel And Shell Casings. 35 x 50".

In October Of 1917 The Last Russian Monarch Tsar Nicholas II And His Wife Tsarina Alexandra Are Executed In A Hail Of Bullets At The Onset Of The Bolshevik Revolution. They Turn To Each Other And Kiss Before Dying.

Alexandra (From The Diptych Nicholas and Alexandra).

1983. Gunfire Through D'Arches Cold Press Paper, Powder Burn, Lipstick, Pastel And Spent Shell Casings. 30 x 22.5".

Jonathan’s Painting Entitled Nicholas And Alexandra From 2013. Acrylic And Lacquer On Silver Mirror. 80 X 60”.

Page Fourteen Of Seventeen.

Vampyres

The Dead of Night.

Meet Dead:

Dead, the beloved pet, adds to his tally of kills nightly. He will do well in this new era... He covets what he covets.

Nothing more. Nothing less.

THE VAMPYRES 1974 - 2014.

In The Crypt. 26 January, 2016. Digital painting.

Dracula’s Puppy. 9 February, 2019.

A Friend Of One In Need

He Could Not Be

He’d Issues

It Was Plain To See

But Fetch A Bone

He’d Gladly Do

‘cept That Bone Just Might

Be Attached To You

The House of Night and Day. 19 - 20 January, 2016. Digital Painting.

Where Grace And Evil Play.

The Devil's Blood.

2014. Piano lacquer on birch. 80 x 28".

Under the God. 1994. Eye shadow on silver mirror with proscenium, chair. 157 x 112 x 47".

The Vampyres

Work on The Vampyres began in 1974 with a tinted drawing. Black and white drawings of photographic precision followed in the eighties culminating in the first of four life-sized paintings begun on New Years Eve 1989-'90. These are in eye shadow on mirror capturing the ephemeral, otherworldly nature of the subjects physical existence. To Jonathan they have little-- if anything-- to do with the craze that vampire mythology enjoys today. They serve as a philosophical metaphor, representing a suspension of blind faith, and as a pursuit--- wherever that pursuit may lead. The title of the work Church and science is telling.

Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the marketplace, and cried incessantly: "I am looking for God!-- I am looking for God!"

Something kind of hit me today/I looked at you and wondered if you saw things my way

As many of those who did not believe in God were standing together there, he excited considerable laughter. "Have you lost him, then?" said one. "Did he loose his way like a child?" said another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? or emigrated?

People will hold us to blame/It hit me today/It hit me today

Thus they shouted and laughed. The madman sprang into their midst and pierced them with his glances.

We're taking it hard all the time/Why don't we pass it by? Just reply, you've changed your mind/We're fighting with the eyes of the blind/Taking it hard/Taking it hard

"Where has God gone?" he cried. We have killed him, you and I. We are his murderers.

Like Spearing Fish in a Barrel.

But how have we done this? How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What did we do when we unchained the earth from it's sun? Whither is it moving now? Whither are we moving now?

Yet now

We feel that we are papers,

Choking on you nightly

They tell me "Son, we want you,

Be elusive but don't walk far".

Away from all suns? Are we not perpetually falling? Backward, sideward, forward, in all directions? Is there any up or down left? Are we not straying as through an infinite nothing? Do we not feel the breath of empty space?

Enlightened.

Something Kind Of Hit Me Today/I Looked At You And Wondered If You Saw Things My Way

TheSonTheSunTheSonTheSunTheSon.

Hope.

Has it not become colder? Is it not more and more night coming on all the time? Must not lanterns be lit in the morning? Do we not hear anything yet of the noise of the gravediggers who are burying God? God is dead. God remains dead for we have killed him. How shall we murderers of all murderers console ourselves?

For we're breaking in the new boys,

Deceive your next of kin

For you're dancing where the dogs decay

You're just an ally of the leecher

That which was the holiest and mightiest of all that the world has yet possessed has bled to death under our knives.

The Vision [Pavan for a Dead Princess].

Church And Science. 2004. Eye Shadow On Silver Mirror. 85 x 43". Choose Your Poison.

Who Will Wipe This Blood Off Us? With What Water Could We Purify Ourselves? What Festivals Of Atonement Shall We Need To Invent? Is Not The Greatness Of This Deed To Great For Us?

Locator For The Virgin Queen

But I Love You In Your Funky Pumps

And Your Nimble Dress That Trails

Must We Not Ourselves Become Gods Simply To Be Worthy Of It? There Has Never Been A Greater Deed; And Whosoever Shall Be Born After Us, For The Sake Of This Deed He Shall Be Part Of A Higher History Than All History Hitherto.

The Nun.

The Dead of Night/is a lovely sight, is a beautiful sight/So much remains unseen/that would be visible in light, that could be discerned upon white.

Pride in One's Craft. 22 January, 2016. Digital Painting.

The dead of day... Black and Blue: Poolside, 1956. A sable peninsula. A fitting proscenium.

The Wise Men.

Here the madman fell silent and again regarded his listeners; and they too were silent and stared at him in astonishment. At last he threw his lantern to the ground and it broke and went out.

"I have come too early," he said then; "My time has not yet come."

Genesis.

From evil's cozy cocoon/emerging, blossoming/yet but not quite yet...

In The Vampyre's Lair.

She awaited a suitor/One to provide the nourishment that would color her linear vision

The cigarette burns the flesh: The flesh consumes the soul. All things change. Metamorphosis. What goes up... must come down. Conversely.......

Oh dress yourself my urchin one, for I hear them on the stairs/Because of all we've seen, because of all we've said/We are the dead

It's nearly time.

Hnorah. 1984. Conte on d'Arches paper. 71 x 34.5".

And she that was dead came forth/In life her name was Hnorah, though now...

The Queen of The Damned [New Year's Eve]. 1990. Eye Shadow On Silver Mirror With Vase, Dead Foliage. 80 x 36 x 5".

In that sense of sublime possibility it gives me a melancholy happiness to live in the midst of these streets, voices, impatience. In the midst of shadows.

Now everyone called her Jade.

Like the plant, she has risen from the earth. She and her kind will drink of life...

The Blood Moon.

‘

I’ve Been Howling

At The Moon

At Its Glory

And I Shall Spoon

With Life And Death

And In-Between

In Alleys, Hallways

Sight Unseen

The Devil Loves A Summer Night.

The Devil Loves

Correct Change And Birds In Flight

He Loves A Band

When They Get It Right

He Supports The Downtrodden

In Their Plight

The Devil Loves

A Summer Night

The Carnival's Gone Dark. They Only Come Out at night.

'The world belongs to us alone. To us and…’

The Darkness

The Darkness/The Darkness/The Darkness/The Darkness/The Darkness

The Darkness

2014. Piano lacquer on birch. 80 x 28".

The text intersperses passages from Friedrich Nietzsche, Bowie and Jonathan.

Page Fifteen Of Seventeen.

Sculptural Paintings

Sculptural Paintings.

At What Point Does Painting Become Sculpture? At A Depth of 12 Millimeters? 6 Millimeters? Less? More? While I've Always Considered These Works Paintings Increasingly People Refer To Them As Wall Sculpture Or Painted Sculptural Reliefs: A Trend, Possibly. Are Van Gogh's Heavily Impastoed Works Safe From Re-Definition?

I Suspect They Lie In A Netherworld Between The Two. By The Way, I Am aware That Van Gogh Should Have A Small 'V': It's This Style Of Typeset Which Capitalizes Every Word; Another Quandary.

Above: Z. 1978. Acrylic on canvas. 112 x 62.25”. Below: Say Die. 1978. Acrylic On Canvas. 100 x 62 x 4.5 - 2.75".

Chimera to Swan. 1981. Acrylic, Oil, Lacquer, Glitter On Silver And Bronze Mirror. 106" On Diagonal.

Judy Garland. 1981. Acrylic, Oil, Lacquer, Glitter On Silver Mirror. 106" On Diagonal.

Ship Of Dreams. 1981. Acrylic, Oil, Lacquer, Glitter On Silver And Bronze Mirror. 106" On Diagonal.

The Tiger and The Snow Leopard. 1981. Acrylic, Oil, Lacquer, Glitter On Silver And Bronze Mirror. 100" On Diagonal.

Hollywood and Vine. 1981. Acrylic, Oil, Lacquer, Glitter On Silver And Bronze Mirror And Bronze Glass. 106" On Diagonal.

Cuba. 1983. Acrylic And Tape On Distressed Canvas. 52 x 72",

‘Kept His Gun In Quiet Seclusion, Such A Humble Man’. Panic In Detroit. From David Bowie’s Aladdin Sane.

My Ghost Beau. 2009. Acrylic, Dye, Eye Shadow, Aluminum On Birch With Satin Bow, Nylon ‘Ghost’ And Tassels. 79.5 x 72". With Plinth: 89 x 82 x 15.75".

Grenada (In Black Light). 1983. Acrylic And Tape On Distressed Canvas. 52 x 32".

Japanese Eyes. 1988. Encaustic, Oil Stick And Letraset On Canvas. 47 x 42 x 3.5 x 1.25".

Sojourn. 1976. Acrylic on Canvas. 68 x 160.5 X 3”. Though Conceived As A Painting Sojourn Has Been Displayed As A Free-Standing Sculptural Object.

Cupid’s Arrow. 2014. Lacquer On Slate. 18.5 X 13.75 X 2.35”.

Space Invaders : Detail with Earthling

Space Invaders aka ‘Brave New World’. 1983. The Celestial Origin Of ‘Man’s Best Friend’. Half=Scale Cast Iron English Bulldogs, Aluminum, Feathers, Acrylic, Lacquer And Integral Plinth. 70 x 12 x 12". Back/right: Alien Landscape. 1972. Oil on linen. 36 x 48”

Page Sixteen Of Seventeen. Please Proceed To Recent Media (See Menu Bar, Top Right Of This Page).